As obsessive in her own way as her parents, Maud researched her genealogy-her grandfather’s marriages, the accused witch, her ancestors’ roles in slavery and genocide-and sought family secrets through her DNA. She saw similar anxieties in the lives of friends, in the works of writers and artists she admired. Still, the meeting of her parents’ lines in Maud inspired an anxiety that she could not shake, a fear that she would replicate their damage. Their divorce, when it came, was a relief. He tried in vain to control Maud’s mother, a whirlwind of charisma and passion given to feverish projects: thirty rescue cats, and a church in the family’s living room where she performed exorcisms. Maud’s father, an aerospace engineer turned lawyer, was an educated man who extolled the virtues of slavery and obsessed over the “purity” of his family bloodline, which he traced back to the Revolutionary War.
Mental illness and religious fanaticism percolated through Maud’s maternal lines back to an ancestor accused of being a witch in Puritan-era Massachusetts. Her mother’s grandfather killed a man with a hay hook and died in an institution. Her mother’s father, who came of age in Texas during the Great Depression, was said to have married thirteen times and been shot by one of his wives. Maud Newton’s ancestors have vexed and fascinated her since she was a girl. The Mark Twain House & Museum welcomes Maud Newton in conversation with Alexander Chee to discuss her new book ANCESTOR TROUBLE: A RECKONING AND A RECONCILIATION a searching, moving, and inspiring attempt to use genealogy-a once-niche hobby that has grown into a multi-billion-dollar industry-to expose the secrets and contradictions of her own ancestors, and to argue for the transformational possibilities that reckoning with our ancestors offers all of us.
0 kommentar(er)
